Therefore we try to show the complex and unstable line between the play’s characters as victims and attackers and, as a result, the links between biopolitics and citizens, as embodied by the Spadone family. of the period, such as Roberto Mario Cossas La nona and Ricardo Montis Visita employed the family unit as a microcosmic substitute for the nation. Nona`s meaning as dictatorship, capitalism, and many others, we will stress instead the family’s role: their power relationships and their failure when taking decisions as the main reason for the final tragedy and extermination. Taking into account the deluge of symbolic interpretations given by critics about On language, violence, and memory will be also used to offer an alternative interpretation for this play.
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Into practice concepts used by Giorgio Agamben like biopolitics, homini sacri, and nuda vida. Titas strong bond with Roberto and her reaction to the prospect of being separated from him. Taller de Teatro UNLP presenta LA NONA -un grotesco de Roberto Cossa- SABADOS DE MARZO HS Entrada Calle 10 n e/54 y Taller de Teatro UNLP UNLP presenta LA NONA -un grotesco de Roberto Cossa- SABADOS HS Entrada 75 Reservas Calle 10. The present article is an analysis of La nona by Roberto Cossa, one of the most remarkable masterpieces in contemporary Argentinean theatre. Technical direction, Horacio Quintanilla set and costume design, Mario Marcel set.
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